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Power Skulls DVD with Eddie Davis

List Price: $39.95
Our Price: $32.95
Item Number: aba-d1ded01
Manufacturer: Airbrush Action
Manufacturer Part No: d9gj03
Power Skulls with Eddie Davis

Learn how to paint remarkable skulls the Eddie Davis way.
In this two-hour presentation, rising star Eddie Davis demonstrates how to render unrivaled skulls on T-shirts (or any surface) with amazing results.  This course includes detailed anatomical descriptions, dynamic lighting, micro airbrushing, how to electrify your image, and much, much more. 
You’ll learn:
Anest Iwata LPH 80 for broad coverage on shirts
HP BCS Iwata airbrush
Air pressures
How to use Wicked transparent base
Use of a Hix HT 400 heat press
Artograph’s Super Prism opaque projector
Use of a black Sharpie pen for sketching on fabric
How to transfer your artwork or reference onto a surface
Anatomy of a skull
Wicked colors, including Laguna Blue, Flourescent Green, Violet, Flourescent Orange, Opaque Black, and others
How to reduce your colors
Subtle shading
Dagger strokes
How to achieve light values of black
How to achieve 3-D effect
Use of freehand shields
Building shapes
Specular highlights
How to build value
How to deal with tip dry
Working in your comfort zone
Micro airbrush techniques
Dynamic lighting
Color shifts
Use of wax paper for advanced masking techniques
How to cut a mask on a T-shirt
Lightening fast coverage of a background
How to dry paint with a blow-dryer
How to remove residue from spray adhesive
How to render drop shadows
How to dry paint as you airbrush
How to add glow to your image
And tons more!
Currently, Eddie Davis paints at Airbrush Headquarters in Destin, Florida, and lives in nearby Shalimar with his wife and two children.  Growing up in the 1970’s and 1980’s, Davis’s main influences came from Heavy Metal, Creepy, Eerie, andThrasher Skateboarding magazines, and The Savage Sword of Conan art. “My sense of proportion and dynamic lighting came from trying to emulate great artists such as Richard Corben, Bernie Wrightson, Tim Vigil, and Pushead. I always admired how they could use dark subject matter to convey emotion and a sense of presence and tension. For me the most profound and fun part of the whole artistic process is when you get to that place where the painting tells you what it wants, and you’re just adding color and keeping the gun moving.”


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